Showing posts with label Ellis George. Show all posts
Showing posts with label Ellis George. Show all posts

Friday, May 15, 2015

#7 (8.7): Kill the Moon.

A mystery on the moon...











1 episode. Approx. 47 minutes. Written by: Peter Harness. Directed by: Paul Wilmshurst. Produced by: Peter Bennett.


THE PLOT

Clara advises the Doctor that he hurt the feelings of troubled student Courtney Woods (Ellis George) when he told her that she wasn't special after she threw up inside his TARDIS. All Clara wants is for the Doctor to apologize... But he overcompensates wildly by instead taking Courtney and Clara on a trip to the moon.

They materialize inside a space shuttle in the year 2049. The shuttle is an antique, salvaged by astronauts Ludvik (Herimone Norris) and Duke (Tony Osoba), in response to a lunar emergency. A Mexican survey station stopped transmitting several years earlier - And then the moon began "putting on weight," resulting in natural disasters on Earth.

The time travelers join the astronauts in exploring the site. The team there is dead, their corpses hanging in cocoons. It isn't long before their killers appear: gigantic spider-like creatures the Doctor identifies as germs. That's when the Doctor starts to realize that if these are germs, then they must be part of an even larger biological system. Something immense is alive at the center of the moon, and the only hope for the Earth may be to kill it... A choice which could itself prove devastating.

As Clara, Courtney, and Ludvik argue the best course of action, the Doctor does the most shocking thing he's ever done: He announces that he can play no part in this decision. He hops into the TARDIS and dematerializes, leaving the frightened humans to make their own choice, for good or ill!


CHARACTERS

The Doctor:
When Clara suggests they simply leave, as they know the moon will be saved because of visits farther in the future than this one, the Doctor replies that he can't just assume that. This moment is the opposite of a "fixed point." It's a moment that he describes as "fuzzy" and "gray." He doesn't know what ends up happening to the moon, because "it hasn't been decided yet." He does know that the decision made at this moment will be a major turning point for humanity - And for that reason, he decides that it's humanity's choice to make.

Clara: When the Doctor withdraws, Clara is left to carry the weight of the choice before her. She debates with Ludvik over the consequences of there being no moon (somehow, the astronaut doesn't correct the ludicrous assertion that the only consequence would be "no tides"), then tries to appeal to democratic principles by transmitting to Earth and asking for a vote. Finally, however, the decision comes down to her, and is made in a split second - with her having no idea whether what she's just done is wrong or right until the Doctor returns to tell them all what happens as a result.


THE DOCTOR WITHDRAWS

"There are moments in every civilization's history in which the whole path of that civilization is decided - The whole future path. Whatever future humanity might have depends upon the choice that is made right here and right now. Now, you've got the tools to kill it. You made them. You brought them up here all on your own, with your own ingenuity. You don't need a Time Lord. Kill it. Or let it live. I can't make this decision for you."
-The Doctor, leaving humanity to its own devices

The best and, I suspect, most talked-about scene in this episode is the final Doctor/Clara scene. Alone in the TARDIS, she tears into him for leaving them to make that decision alone. She demands to know exactly what he knew, angry and hurt at what she sees as a betrayal by a man she trusted completely. Jenna Coleman is so good in this scene that it's actually painful to watch how much she is hurting, and at the same time how much it hurts the Doctor to have so bungled the human part of his decision as to leave her in this state.

It's a searing moment. All the moreso because there is plenty of room to debate (Clara's hurt feelings aside) whether the Doctor leaving this choice to humanity was the right choice or the wrong one.

However, I would like to posit one possibility regarding his withdrawal. He says, when Clara confronts him, that he did it because he trusted her to make the right decision. What if it goes further than that? What if he withdraws because, in a situation in which he cannot see the right decision, he actually trusts her more than he trusts himself?

We have seen multiple times that this Doctor has no problem making cold, pragmatic choices. In this very episode, he takes advantage of one man's death as the moment in which the others can escape. "I'm so, so sorry" has been replaced by, "He was dead already; I was saving us!"

Clara screams her anguish that she almost made the wrong choice - But what if he believes he would have made the wrong choice? That would put a very different spin on his actions - And while I'm not saying that's the intent here, I do think it's a reasonable bit of speculation.


WEIRD SCIENCE (OR JUST PLAIN BAD)

My biggest problem with this episode - one that keeps me from rating it as highly as I otherwise might - is the bald-faced jettisoning of known facts about the moon. "The moon is an egg" flies in the face of multiple moon landings (which weren't just to take "giant leaps" and play golf, after all) and decades of analysis of samples brought back, not to mention centuries of astronomical observation. I'm not asking a Doctor Who episode to deliver an exhaustive science lecture. But in a series initially conceived as part educational, is it horribly wrong to at least not want it to deliberate contradict known facts?

All that I personally would require to paper over this is a quick exchange in which Ludvik, or Clara, or even Courtney protests some of the things we know about the moon - Such as its composition being rock and not eggshell, or the existence of varied minerals - and for the Doctor to give some handwaved explanation to address the disconnect. We don't even get that. Just "the moon is an egg," and an assumption that we're willing to unplug our brains and go along with it.

In an episode that's very smart about character interactions, that really grates on me. Not even a 20-second exchange to cover the bad science - Just the assumption that the viewing audience won't care or won't notice, something which feels far more "cheap... pathetic... (and) patronizing" than anything in the Doctor's treatment of Clara.


FINAL THOUGHTS

However, I am giving the episode a positive review despite that. The bad science annoys me (a lot). But it doesn't obliterate how effectively the episode built suspense, or how very real the emotional fireworks play at the end.

The first part of the episode, as the characters investigate the moon and then try to survive the killer germs, is terrific. The suspense starts almost instantly, with the exploration of the dead landing site and the discovery of the corpses creating wonderful atmosphere. The spider-germs are well-realized and genuinely creepy, and the moment in which the Doctor finds an innumerable mass of them lurking beneath a crack in the surface is sublimely nightmarish.

Once the bad science is shunted to the side, the sequence in which humanity "votes" on the life or death of the Moon Creature is beautifully portrayed. Clara asks them to vote by either leaving their lights on (to vote to let it live) or turning their lights off (to vote to kill it). Little by little, we see the lights on the Earth's surface switch off, leaving an Earth as dark and forbidding as the moon Clara inhabits. Then she makes her choice, we get the aftermath, and then the episode's biggest fireworks explode as Clara excoriates the Doctor for his behavior.

Emotionally riveting, stunningly well-made. If I could fully get past the failure to even address the real science readily available about the moon, I would be very generous here. I can't quite turn off my brain enough to skip over that, but I still would rate this as an above-average episode:


Overall Rating: 7/10.


Previous Story: The Caretaker
Next Story: Mummy on the Orient Express


Search Amazon.com for Doctor Who



Review Index

Friday, May 8, 2015

#6 (8.6): The Caretaker.

Danny (Samuel Anderson) discovers Clara's
"Doctor life" - and doesn't like it.











1 episode. Approx. 47 minutes. Written by: Gareth Roberts and Steven Moffat. Directed by: Paul Murphy. Produced by: Nikki Wilson.


THE PLOT

The caretaker at Coal Hill School is suffering a case of flu, leaving the school with a vacancy for a temporary caretaker. Clara is shocked when the head teacher introduces the new staff member: The Doctor. He explains that he's gone undercover to find a deadly robot known as a Skovox Blitzer (Jimmy Vee). He carefully plants devices around the school to generate a time vortex. On the weekend, when the school is empty, he intends to lure the robot into his trap and send it forward into the distant future, where it will be unable to harm anyone.

But "subtle" isn't something the Doctor's terribly good at. Clara's boyfriend, ex-soldier Danny Pink, can tell that he's up to something. Even as the Doctor puts his plan into action, Danny investigates the devices - and in so doing, badly disrupts the plan. The Skovox Blitzer is still displaced, but only by a few days instead of a billion years. When it returns, it will be more dangerous than ever. And even worse for Clara - The Doctor and Danny have now met, and they absolutely hate each other!


CHARACTERS

The Doctor:
His blatant prejudice against soldiers rears its head again. The instant he learns Danny used to be a soldier, he refuses to believe that he could be a Maths teacher; he insists on referring to him as a "P. E. teacher" (or just "P. E.") from that moment on. He is genuinely hurt that Clara has chosen as her boyfriend a man he so thoroughly disapproves of. But at the end, he does grant the grudging respect of a father toward his daughter's suitor: He doesn't have to like Danny, so long as Danny can manage to be good enough to be worthy of Clara.

Clara: Has been reminded too often of the Doctor's low opinion of soldiers, and so pushes herself to the breaking point to try to keep (as Amy and Rory once put it) "Doctor life" and "real life" separate. When the Doctor tells Amy that he likes her boyfriend (wrongly believing that the English teacher who dresses like his 11th persona is the man in question), she's practically dancing on air. This only makes her distress all the greater when the Doctor and Danny experience Hate at First Sight. Her claim to love Danny comes far too quickly, given that we've only seen brief snatches of their developing relationship. We haven't seen enough for it to ring true the way Amy's love for Rory did. That line probably should have been removed and saved for a later episode.

Danny: Samuel Anderson does a capable job with the comedy scenes, but it's the episode's big dramatic scene that sees him really shine. When the Doctor's disdain for soldiers is revealed, Danny turns the tables on him, all-too-accurately identifying him as "an officer" and snapping out "Yes, sirs" and salutes at the Time Lord, whose fury is probably because he at least in part recognizes the truth in Danny's assessment. It's the best scene of the episode by far, and really the only moment of this installment in which Danny is allowed to be more than just Rory 2.0. By contrast, Danny's warning that Clara should be frightened of the situations the Doctor puts her in is a little too close to Rory's anger at the Doctor putting Amy in jeopardy in Vampires of Venice - and because the Clara/Danny relationship isn't as well-defined as the Amy/Rory one was, this version is far less effective. More steel from Danny, and fewer reruns of old Rory scenes, would go a long way toward making this character really work.


THOUGHTS

I didn't hold out high hopes for The Caretaker. Writer Gareth Roberts had success with his Doctor Who-meets-relationship sitcom episode, The Lodger, which turned out to be one of Series Five's most unexpectedly delightful episodes. Series Six's Closing Time recycled those elements with severely diminished returns, however, and the prospect of another comedy/relationship episode co-written by Roberts didn't exactly fill me with anticipation.

The Caretaker is, at least, an improvement over Closing Time. The comedy moments are mostly funny, and the comedy comes naturally out of the characters. The performances of the three leads are very good, and when the tone swerves sharply from comedy to drama in the Doctor/Danny confrontation, it not only fits with the characters and the episode as a whole, it's all the more effective for its contrast with the otherwise light tone.

However, as good as the character material is, the Slovox Blitzer is... well, honestly kind of crap. The monster lacks any sense of menace, no matter how deadly the Doctor insists it is. It sort of lumbers around on wheels, looking like the hideous love child of a Cyberman and a Dalek with the mobility of Davros thrown in for good measure. And since the villain looks laughable and is largely played as ineffectual, the scenes centered around it lack tension. For contrast, look at The Lodger, which balanced its comedy against a villain who was genuinely sinister. I also found the scenes between the Doctor and precocious "troublemaker" Courtney (Ellis George), to be as artifical as they were irritating.

Despite the bumps, I enjoyed this more than I expected to. It would rate a point higher if not for the very poor Monster of the Week, but it is entertaining and does what it sets out to do. Still, I hope the next time Gareth Roberts writes an episode, he's asked to do something other than "relationship sitcom."


Overall Rating: 6/10.


Previous Story: Time Heist
Next Story: Kill the Moon 


Search Amazon.com for Doctor Who



Review Index